TransHub’s Trans Awareness Week Art Gallery

We offer this space of creativity, reflection and resilience to our community for Trans Awareness Week and to honour Trans Day of Remembrance.

We’ve really missed you and wanted to hear from trans artists and creatives, to showcase the diverse and wonderful expressions of trans art that can keep us going, keep us connected and keep us in the gender euphoria we all deserve.

This gallery offers us an opportunity to honour those we have lost and those taken from us, simply because of who they were. We celebrate their memory by continuing to focus on and uplift those we need to hear from most. This project is of course dedicated to all trans people everywhere, but we cannot look away from the truth that our Sistergirls and trans sisters of colour bear the brunt of cisgenderism and the gendered-violence and transphobia it drives. We will always protect, defend, fight for and alongside trans women and non-binary trans femmes.

So please, take a moment and immerse yourself in these beautiful art pieces and artist statements. To all who submitted their creations, thank you! You are a much needed balm at the end of a topsy-turvy and tragic year, thank you for reminding us all that there is always beauty to be found, particularly when trans people are around.

While the art gallery prize is no longer running, you are still able to submit artwork to this gallery here.

Click on any artwork to learn more about the work and the artist.

Her Dark Heart

Artist: Sara Elizabeth Joyce

This is a 40cm round board mixed media resin art piece which was made last Autumn 2021. It reflects the wilting truth of shining bright and going to fast. In the early days of my transition teaching resin art allowed me to source an income other than what the perception of what most trans people were "good for" at the time and through the art form I continually try to break the barriers of what resin art can do, much reflecting the stereotypes of what people think trans people look like or what sort of occupations some people think they are suited to. My current challenge is in making large planetary bodies for an exhibition.

www.saraelizabethjoyce.com

https://www.instagram.com/saraelizabethjoyce/

THIS IS US

Artist: Siena Bordignon

"THIS IS US" is a series of portraits of femme presenting people from the trans community.

As a non binary artist who presents as mostly femme, I simultaneously experience “passing privilege” and erasure. Unless I specify, most people assume I am a woman. While this means I experience less transphobia, it means my identity and the pride I take in who I am is so frequently erased. So, for this series I wanted to display the diversity and beauty present among femme trans people.

“THIS IS US” recognises the resilience of the trans community by giving us something we have been so starved of - visibility."

Growing Pains

Artist: William Coyne

For me, my resilience and my affirmation is felt most during growing pains. - the many kinds of hurt that show up on the never ending journey of becoming.

This drawing is based off of one of the first shirtless pictures I shared with people after recovering from top surgery. It felt vulnerable to share my scarred body. Now, years later, living and working on unceded Gadigal land, on the days where my heart hurts from being so full of love and gratitude, I remember this day; when I unknowingly shared a moment of blooming.

Artist: Felix Jackson

This drawing was a page in a recent zine I made about going for a walk and starting to feel (good) again. I am a non-binary artist from Western Sydney who recently started their transition. Lately ive been feeling very lucky to have the opportunity to go on hrt. Ive been going out for walks in the mornings to watch the sunrise and interact with nature. Sitting with snails and watching them slide.

Salon Queen

Artist: Oliver Vincent

Practising as a freelance illustrator, Oliver holds a close passion for the intersections of the art world and depicting the LGBTQIA+ community. 'Salon Queen' is inspired by all the femininely strong people in his life and serves as a reminder to take pleasure within self-fulfilling joys.

Me, Who, The Moon

Artist: Adrien Cosmos

Artist statement: In the rural american south, I explored many nights of genderless expression between the earth and starlight. 


Me, Who? The Moon

I lie awake, steaming

in southern midsummer.

I play a game of silent

hopscotch through the old

house, past each panel

of creaking wood.

outside, my bare feet hit

the dirt trail, softly landing

in piles of fallen pines.

I follow the moon until I

see her reflection surrounding

me, like cystal tears that

fill the creek bed.

a gentle "who who" purrs behind me.

I peel off my sweat-drenched

clothing as through I'm

trying to remove second

layer of skin.

A gentle "who who" purrs behind me.

clothes strung over the nearest

branch, I wade into the muddy

water, until the moon and

her tears swallow me whole.

A gentle "who who" purrs behind.

Head above water, I look into

the moonlit surroundings

and laugh.

boxers and T-shirt slung on a branch,

the owl asks again, "who?"

I smile and disappear,

shapeless, into a pool,

of moonlight's tears.

Artist: L Andreyeva

Runner up in the 2021 TransHub and City of Sydney art prize

Artist statement: As a non-binary queer migrant, i would not have the joy and safety that i do in my life without community. For this piece i queried a few queerdo friends about what community and resilience meant to them, and drew on the responses for inspiration. I like it's childish cacophony of colours, and it being essentially a colouring book captures some of the playfulness i have been able to find through my queer community.

Will you love me through the ableism

Artist: Dani Southcombe

Artist statement: This wall hanging ceramic was created as part of a body of work titled 'boy and the blue sky' that I exhibited at AIRspace Projects earlier this year. My main focus while creating ceramics for boy and the blue sky was to become more confident in stating my gender diversity and neurodiversity as well as dealing with the devastating effects that transphobia and ableism have on one's sense of self and sense of safety in the world. My neurodivergence and transness go hand in hand. Autistic trans people face the assumption that due their autism they do not understand their sense of gender enough to know that they are of a trans identity. We also deal with intersectional discrimination. Through making this body of work I have practiced affirming my identity and creating my place in the world despite those who ask and even attempt to force me to conform, mask, and suppress my truths.

'Will you love me through the ableism' is a self portrait where I expresses my gender identity and neurodivergence through the character's unique and beautiful description and I ask who will be on my side and love me through this.

The work is built from white earthenware clay and finished with englobe and clear glaze. I use minimal colour as so not to distract form a poignant message.

The future of gender

1st place the 2021 TransHub and City of Sydney art prize

Artist: Annie Walker

Artist statement: My future of gender is free-flowing, ever-moving and changing. There are overlaps and in-betweens and so much vibrance. This is a future that is not possible without the resilience of trans people now. Trans people past, present and future are the drivers of this shift in how we define and perceive gender.

Lanterns of Remembrance

2nd place the 2021 TransHub and City of Sydney art prize

Artist: Asa

Artist statement: My artwork is inspired by the Buddhist Lantern Floating Festival in Hawaii, which brings people together on the beach to honour and remember their deceased loved ones. The floating lanterns on the sea inspire remembrance and hope, and intertwines my Asian heritage, my love of nature and my trans identity.

Transient Planets

3rd place the 2021 TransHub and City of Sydney art prize

Artist: Transient Planets aka Nury Hussein

Artist statement: My love for space and science runs deep. Life exists from the ground up, our DNA makes us who we are. We exist because science says so.

My first piece is centred around our trans existence, similar to transient planets. We are always moving, changing, growing into newer versions of ourselves we never thought we would become yet here we are. We are here because we were always meant to exist.

Twisted Resilience

Artist: Drew

Artist statement: being autistic i find it hard to verbally communicate how i am thinkfeeling and feeling. since a young age i have used drawing as a form of self expression. art is my main tool for understanding my own emotions. through visualisation with pens and paper i am able to see my feelings and understand how my mind works. it always feels a little quieter in my mind after drawing.

processing the world around me while also having to process the world within me. it's overwhelming, scary and feels like i'm fighting for a space i have no place being in. but yet in spite of how i may feel i'm still here.

Protection

Artist: Magnus Grahame

I wrote this piece because getting dressed has always been something I have put thought into and now when I add gender to the mix it's hard for it not to feel even more complicated.


When I was young and cold my dad would give me his too big jackets to wear. I knew this would happen so I often wore dresses and t-shirts even when I knew we would be out late or it would be cold, I was warned that I would regret my clothing choice later on. And maybe for a second, I would -but then my dad would be giving me his jacket and laughing about how he never dressed for the weather when he was younger either. I took the jacket in stride and care always. And I also kept the comparison to him in the back of my mind. Both the likeness and the feeling of the heavy jacket on my shoulder meant something: I just didn't know what yet.

At the age of seventeen I bought a blazer at an op shop. It was too big for me and I adored it. I wore it when it was too hot -as it often is. I wore it to the beach, I wore it at the grocery store, I wore it at home. But now, as it sits in my closet, not having been worn for a long time; the place I mostly remember wearing it was at a support group. Is that the word for it? What do you call a group of queer not-quite adults meeting to eat pizza and talk over each other? What do you call me putting on that blazer and leaving the house to go sit in a too loud and too bright room with people I never felt any true connection with. Well, except for our one thing.

I remember sitting there, wondering if I could have the courage to be me even though I was there being me. It didn't feel real, I didn't feel right but thinking back on that time now, it was the most real I had ever been. It was the most me I had known. I felt insecure and scared and used this blazer as my shield and my armour. When we would go around saying our names and pronouns I would grin when someone said one that I didn't expect or when someone talked about going on hormones or saving up for surgery. Maybe these weren't people I would ever befriend or love but they were my people. They were who I had and I needed that.

Two years ago, I bought a jacket out of necessity. I needed a jacket so I bought one. It's the thought that I assume most people have before buying a jacket. It is red and has buttons and is comfortable. Maybe it was a sign of growing up that I understood the need for items that are just day-to-day ones. It became what I would call my favourite jacket and maybe that's because it's all I wore but no matter how the love came about, it did. I bought more but my heart stayed with it. For quite a while. I had worn it in I guess -I also think in my head it became a signature look of sorts. If I was a cartoon character, it would be what I wore in every episode. It was my version of Velma's turtleneck or Popeye's pipe. It showed I was ready for the world to see me. A safety blanket of sorts, or maybe it was just a jacket. Just some material to keep me warm in the winter.

We find meaning in the belongings we have. I have stories I made up about the little ceramic frogs I have sitting on my bookshelf, they have names and family members who were lost to a flooding accident. I have a feather that someone once gave me that now sits inside of a bottle that I like to think once belonged to a sailor. These items bring me comfort and a sense of being. My clothing often is of a similar feeling -just maybe a little more complicated. Maybe it's because the world doesn't see these items unless I let them. It's finding a sense of self for both yourself and for the world; two people who have many things in common but are not the same.

Last week I bought a pink jacket. If you looked in my wardrobe you would not find a single piece of pink clothing in there. Honestly, the only place you would find pink in my entire room is on the covers of books I haven't read in years. The feminist in me would like to say that pink isn't a girl's colour but the years of growing up as a girl would say otherwise. When I told people that I was not a girI it was met with scepticism. Didn't you play with dolls? Didn't you wear pretty dresses? Didn't you like the colour pink? They would ask and question and hold these facts out to me as evidence to why I was wrong. These things made me a girl, they knew it and so does the world.

Except the world is wrong. I bought a pink jacket because I liked it. And I liked it as someone who is not a girl. This is all the proof I should need and It's all I have to give. A jacket goes on the outside, it's often the first thing someone will notice about you and maybe most people don't think too hard about it. They buy it and then wear it when it gets cold but I over think most things so here I am thinking about jackets. Sometimes the smallest things, the smallest concepts will get stuck in your brain, wedged in the corners of your own identity, the weirdest and tiniest ideas and subjects will start to define you without you ever having given them permission to do so.

And so, I made that decision. I bought the jacket. I have yet to wear it but I will. I will wear it and then some time in the future another jacket will come into my life. Because at their core they are here to protect me and maybe I will let it, maybe I will let it just be a protector instead of a definer. Or maybe it will be both. Maybe it always has been. I guess we will all just have to wait and see.

La Berkins

Artist: Elizabeth Mora

This artwork has been contributed by an ally of the trans community.

Artist statement: La Berkins is a portrait of Lohana Berkins, a much loved Argentinian transgender rights activist. In 1994, she co-founded Asociación de Lucha por la Identidad Travesti y Transexual [Fight for Travesti and Transsexual Identity Association]. In 2008, she founded Nadia Echazú Textile Cooperative School, the first social enterprise owned and managed by transgender people. It continues today, providing COVID kits to health professionals across Buenos Aires. In 2010 she became part of the Frente Nacional por la Ley de Identidad de Género [National Front for the Gender Identity Law], an alliance of more than 15 organizations advocating for the Gender Identity Law passed by the Argentinean National Parliament on May 9, 2012. From 2013 until her death, she led the Gender Identity and Sexual Orientation Office of the Judicial System of Buenos Aires. Lohana's strategy was to forge alliances between transgender and feminist activisms. She was a long-term participant in the National Campaign for Safe, Legal and Free Abortion in Argentina. These are only some of her achievements.

I learnt about this significant part of Latin American queer herstory on my own, outside the history books and in the archive of independent writings lingering in the periphery of public discourse. I hope that this portrait of Lohana Berkins prompts remembering and learning about those never forgotten.

Bruised spirit, flickering hope

Artist: J.F. Moore

Inspired by smoke swirling above a candle, festive colours dance with those that evoke healing bruises. Bruises that many of us in our trans community carry – with physical, emotional and spiritual forms. Together, this reflects the vivacity of being trans. Using water colour on rice paper, I practice bold yet thoughtful action. I hope to bring this beyond art, to invite the viewer to do the same.

am I trans enough?

Runner up in the 2021 TransHub and City of Sydney art prize

Artist: Nina Hurr

Artist statement: This artwork is about how I feel about my gender. Being gender fluid, sometimes I question whether I am trans enough, and this picture reminds me that yes I am. We can all just be ourselves in the way that makes us feel most happiest and comfortable. I especially question my gender while surfing and at the beach, as I am not yet confident enough with my gender identity to surf shirtless. I hope that other people can relate to this picture and feel more confident in who they are.

eikon klastes (image breaker)

Artist: RJ Zacharia

Artist statement: This artwork is one piece in a much larger work I did for my HSC. The work included a series of classic greek and roman sculptures redraw to feature trans people, in many various forms. This works were then broken down and pixelated as well as used in modern advertising. Both advertising and classic sculpture are meant to represent the perfect ideal of beauty what people should look like and I wanted to challenge that idea. Many people see trans people as 'mutilating' their bodies and this isn't true. Trans people are just as gorgues, and that includes those with scars, those who don't 'pass', those of different races and body types. Trans people deserve to be seen as beautiful and adored the same way we see those in art and in advertisements.

Kid

Runner up in the 2021 TransHub and City of Sydney art prize

Artist: Xavier George

Artist statement: This piece is titled Kid. It relates to the theme of affirmation. I'm now 21 and a boy. I imagine this drawing as having happened years ago. It reflects elements of being a kid that I think we can all relate to. To be impulsive, bright and free, with a tendency to state the obvious. The piece Kid is inspired directly by the drawings I have from when I was really young and before I hit puberty. It feels like I'm doing the younger Xavier proud for some reason. Maybe it's the affirmation that comes with this childhood self reconciling the truths of who I am today, and who I've been all along. It's like the drawing that was never drawn.

alienated from society

Artist: Tate Mancini

Artist statement: My artwork was inspired by my struggle with trying to fit into categories, and how alienated I feel some days knowing that I'll never fully be who I am, because apart of me will always be original. The strength it takes to continue my journey and fight the struggle of giving up ha been a big part in my journey and I've reflected that in the way I drew the hands almost like they were gripping the bandage. As a Trans Man I've pretty much heard it all. But the worst someone has said was 'Transgender is a Mental Illness' and it stuck with me i overthought it and my head felt like it was melting and twisting. Art is what keeps me going and I'm so glad I was able to share it with people who understand!

The Transgender Agenda

Artist: Travis Larcombe

Artist statement: My name is Travis, I am a transmasculine, non-binary writer and activist who currently lives in Gadigal. Having grown up in a small town in Far North Queensland in the 80s and 90s, I was a perpetually bored and lonely queer child with a very active imagination! I was always enchanted by the written word as a portal to explore new worlds, ones with richer and more expansive possibilities than the one I had access to when I was growing up. My piece, The Dream of a Transgender Utopia, is both a work of fantasy and also a reflection of the current struggles that transgender people continue to face, viewed through the prism of what a truly just, accepting world would look like for us.


The transgender agenda

In the transgender utopia of my dreams, there are no extra burdens to carry as a result of being my authentic self. In this world, everyone knows that I am more than my body, my chromosomes or my dysphoria. I am judged purely on the content of my character, not the contents of my pants.

In this imaginary paradise, there are no editorials in the city’s paper of record questioning my right to exist. I don’t have to worry that my rights are the subject of public ‘debate’, or outrageous clickbait for transphobes or gender fundamentalists. Nor do I have to fear that I may lose my livelihood or my housing because of who I am. In transtopia there is no prejudice or hate crime, only love!

My transtopia is decolonised and anti-racist. The invasion has ended and instead there is a formal treaty with First Nations peoples underscored by respect, sovereignty and reparations. There is no Border Force and no detention centres either. A refugee resettlement program for transgender people provides access to safe-havens from oppression, and the community welcomes them with open arms.

In transtopia everybody has access to free and safe housing, education and health care, because these are basic human rights. Transgender people are visible and welcome in queer and straight community spaces. Wealth inequality is non-existent. Nobody is left behind. Society runs on social and economic justice, sustainability, ecology and circular economies. There is no homelessness, no working poor, and nobody goes hungry. The pain, fear and humiliation that accompany poverty do not exist.

Shops in transtopia stock affordably priced chest binders, packers, and other gender affirming accessories without fuss. Mainstream health professionals have adequate training in transgender medicine. Children are taught about gender diversity at school and encouraged to express themselves authentically without shame, guilt or fear. In history classes, all students learn about the long history of gender diversity that has always been a part of human expression, and about Marsha P. Johnson and Stonewall.

In transtopia, our gender is recognised whether or not we’ve had surgery or ‘pass’. Everyone uses the correct pronouns, and nobody assumes anyone’s gender. And gender non-conformity is, paradoxically, normal. We are free to love others openly and to be loved by them without fear of judgement, discrimination, or violence. Our families accept us just as we are, and if we want to, we can settle down with a loving partner and start a family. Or not.

In this impossible vision of utopia, we would have the freedom to enjoy exactly the same rights that cisgender people do, right here and now, today.

My Gender-the missing piece

Artist: Chris Day

Artist statement: It is an original design of my interpretation of my trans man gender representation.

Shifting winds

Runner up in the 2021 TransHub and City of Sydney art prize

Artist: Alyce Schotte

Artist statement: My art is in my words and I have used them to unpack my journey, to acknowledge the changes I have experienced in my life and asked of others when they walk the path beside or intersect for however long.


Shifting winds, changing lives 

 

The arc of time moving along

The changing views

Within without

Looking for where you belong

Under skies of dark and light

Through the lenses of your eyes

Sunshine shade

For all days and nights

 

Through sands and time you’ll feel them just

Winds shifting all you are

From who you are there’s more unknown

Changing lives at least your own

 

There lies ahead landscapes to be

What you know

Inside out

Underfoot and oversea

Storms to wash all anew

Those around all allowed

Space to be their all owned self

Leave some behind touched with dew

 

Through sands and time you’ll feel them just

Shifting winds of who you are

From who you are there’s more unknown

Lives changing, being more your own

 

Nothing has been left behind

Memories will last

Then now

Some will always shine

They are yours you choose to hold

Or pass them free

To let it all sit shoulder calm

Light a fire bright and bold

 

Through sands of time feel them just

Shifting winds of changing lives

From who you are there’s more to come

Lives are shifting on winds of change

Utopia

Artist: Alyce Schotte

Artist statement: My art is in my words and I have used them to unpack my journey, to acknowledge the changes I have experienced in my life and asked of others when they walk the path beside or intersect for however long.

Utopia

When you’re living life

Looking for your place

In a world that just won’t

Make room, make a safe space

 

Don’t close yourself down

Don’t turn away

Don’t close your eyes

You can be more, so much more

When you shine your light

When you build what’s right

 

There’s doubt all round

There are words casting shadows

It’s dark inside and out

In your room, never be cowed

 

You know you’ve got friends

That stand within utopia

That walk along the torchlit path

By your side, together

 

Don’t close yourself down

Don’t turn away

Don’t close your eyes

You can be more, so much more

When you shine so bright

When you build what’s right

 

Live your best life

There aren’t many second chances

But there all worth taking

Those opportunities to go

 

You will be more, so much more

When you shine your light

When you build what’s right

 

So much more

Shine so bright

Build what’s right, build it

Be so much more

Shine your light

Build it right

Artist: Mx Ashley Smith

Artist statement: "This art represents the losses in our community to violence, fear, discrimination & murder.

It reflects the voids in our community, and within ourselves, due to doubt, and unwarranted, projected shame.

And though just as the lotus can grow only in mud,

so does our realisation & rebirth of true self & from too -

the phoenix rises from who & what we were, & soars with all that we can, and roars at all that we simply can not.. be.

'I am another yourself.'

With pride,

Mx Ashley Smith


Special thanks to the City of Sydney, without whose support this gallery of work would not exist, and to the wonderful trans communities across NSW.